The first week was in London, where we stayed with Francis, saw the sights (including the wonderfully quirky sport of Bike Polo) and gradually acclimated to life in the big city after three years outside of it.

After that, Frank accompanied us for a weekend in Oxford, where we hung out with Andy, who was coincidentally doing a summer program there as part of his law degree at the Ohio State.

Then it was a week Yorkshire to see Claire, with whom we overlapped during our first year in Japan. This portion of the trip involved visiting the eponymous York, and healthy portions of rambling and croquet. Yorkshire has been described to us as “the Texas of England” in that it has a strong independent streak and resists being characterized as part of a larger country. We are interested to see what Claire, a native Yorkshire girl, has to say about that!

Now we set out on our own to the great repressed nation of Scotland. August is festival month in Edinburgh, wherein the entire city is swamped for the ironically named Fringe Festival (which now dwarfs all the “mainstream” festivals it meant to mock when it started in the 1960s). Edinburgh is a lovely city, managing to feel ancient and modern at the same time. We spent a busy Monday through Friday cramming in as many off-the-wall performances and comedy shows as possible, with about a 50% hit rate for satisfying shows.

We had intended to spend a whole week in Edinburgh, but it was clear that five days were going to be enough. Fortunately, we were able to make a last-minute change in plans by renting a camper van from wickedcampers.com (we had seen tons of these vans in Australia last Christmas and remembered their quirky and very effective self-advertising) for about the same price that we would have been paying anyway for our Edinburgh hostel. So we spent three nights and four days driving ourselves around the Scottish Highlands, pulling off the side of the road to sleep wherever was convenient, and boy are we glad we did. This country is bursting at the seams with gorgeous hills and a truly unbelievable number of waterfalls, and not a few castles as well.

Now we are in Berlin until the end of September, and you can expect a report about that later on!

New Year’s Day is, of course, a huge deal here but unfortunately I have no idea what it’s like, as I’m always off exploring some other country for winter break. The first holiday that hits me when I return to Japan from abroad is Coming of Age Day, which marks the transition from adolescence to adulthood. Everyone who’s turned 20 within the last year gets dressed up for fancy photo shoots in anticipation of all the drinking, voting, and smoking that they are now allowed to partake in. Considering I can probably count on one hand the number of people who qualify for this rite of passage in Noshiro, I rarely witness this spectacle first hand.

Instead of reveling in the glory of being 20 (a distant memory for me), I spent the day honoring the deliciousness of unagi. A friend in Tokyo took us to a little hole-in-the-wall restaurant that specializes in eel, complete with front row seats where you can watch the chef carry out the following process with alarming speed and precision:

Step 1: Place live squirming eel on chopping block
Step 2: Deftly drive metal spike through brain in one stroke
Step 3: Split eel down the middle, removing the internal organs and spine with a few subtle flicks of the wrist

For me, this scene resulted in a complex emotional landscape; my reactions morphed from horror to fascination to scientific detachment as I witnessed the raw ingredients behind the counter go from eel to meal over and over again.

Noting that innards were on the menu, it seemed a shame not to give them a go (they’re certainly not going to get any fresher), so we chucked our hat into the ring and tried a few. I’m certainly no stranger to organs on the table… I’ve gamely eaten my share since moving to Japan, including chicken hearts, raw horse liver, and intestines from anonymous sources. And while I don’t want to be “innardsist” by declaring all offal as, well, awful, I am definitely seeing a clear pattern emerge with repeated culinary experimentation.

A few weeks after this squirmy encounter came Setsubun. This holiday is supposed to be the day before spring, but I don’t really get how this works, as it’s on February 3rd, and still damn cold. Maybe it’s a lunar calendar thing. While you don’t get the day off for Setsubun, you do get the opportunity to toss toasted soybeans from the front door of your house while yelling “Demons out, luck in!” while wearing a kicky paper demon mask. I made sure to throw my beans this year right when Chris was leaving the house… just to cover all my bases.

Inhabitants of western Japan also traditionally celebrate Setsubun by eating a huge uncut sushi roll in one go that’s only slightly smaller than your forearm. I live in eastern Japan, but thanks to the glory of capitalism, conbinis all over the country have taken to selling these seasonal rolls, and now you can find them in Tohoku as well. Chris and I gamely shared one of these humongous rolls between the two of us while facing this year’s lucky direction (N by NE). Only afterward did we learn that you’re supposed to remain silent while you eat it, and eat the whole roll yourself. Double fail on our part. Perhaps two wrongs make a right, and we’ll have a lucky year anyway…

I was still pondering the ramifications of my festive faux pax when Foundation Day rolled around. When I asked my colleagues how they usually celebrate the foundation of their country, I failed to get a satisfying answer. Most people just shrugged and went back to whatever they were doing. This ambivalence was kind of a mystery to someone who’s used to celebrating her own country’s Independence Day with fireworks and BBQs.

A bit of wikipedia research revealed that the low key nature of Foundation Day might have something to do with the history of nationalism in Japan. This holiday (formerly known as Empire Day) used to be all about uniting the country by paying homage to the emperor, and used to be a really big deal. However after WWII, nationalism became a bit of a touchy subject, and this particular celebration was abolished. The current incarnation of this holiday was only reinstated in 1966, and was re-branded to avoid evoking the nationalistic sentiments that are associated with pre-WWII Japan.

In addition to being a bit awkward thematically, Foundation Day is also one of those uncooperative holidays that refuses to stay put on either a Friday or a Monday. In fact, this year, it landed smack dab in the middle of the week. What to do mid-winter with a free Wednesday at your disposal? We tried to make a go of it by hiking through Juniko despite the bleak weather. However after driving for 45 minutes to get to this set of small lakes, we discovered that the park was closed for maintenance. As a fallback plan, we explored the hills nearby, where we discovered a waterfall shrine and a plethora of monkeys. All things considered, I guess monkeys and shrines are as good a way to spend Japan’s Independence Day as any.

Mid-February, of course, is the most exciting wintery time in Tohoku, when snow festivals abound. Unfortunately, for whatever reason, we’ve had very little snow this year, which has detracted from the ambiance a bit. Additionally, winter festivals in Akita are pesky in that they all seem to fall on the same day, making it difficult to see everything unless you live in the prefecture for multiple years. With a few exceptions, we were finally able to see the remaining festivals that had, up until this point, fallen through the cracks. This year’s festival bonanza included:

• Hiburi fire swinging festival in Kakunodate, Feb. 13-14
  Hiburi’s been a surprisingly elusive festival for the last few years. Kakunodate is several hours away from us by car, and the festival is often inconveniently held mid-week. Last year, we even contemplated driving down on a Wednesday for the festivities, but a snow storm and slippery roads made this trek next to impossible. This year, several events aligned nicely which permitted us to attend. The festival fell on a weekend, and, thanks to a mild winter, ice and snow were not an issue this year.

  The festival is pretty straightforward: anyone wanting to work out their pyromania issues can light a bundle of hay (ok, rice fibers) on fire and swing it around until it explodes in a shower of embers. The fire-swinging was mesmerizing, and on occasion, comic, as old men and little boys almost lit each other’s hair on fire. While it all looked like good fun, I held back for some reason. Maybe the lack of snow and the ample drizzle dampened my ambitions a tad. Or perhaps I felt constrained by the work clothes I was still wearing. Even though this was my last opportunity to see such a festival, for some reason I didn’t seize the moment and participate, a small regret which I carried home with me that night.

• Amekko Candy Market in Odate, mid Feb
  The gimmick here is that if you eat some candy from the market (which apparently grows on trees), then you will remain healthy for the rest of the year. As someone who consumed a piece of said candy who is now sitting sick in bed, I can assure you that this was NOT a sufficient prophylactic for the common cold.

  From the promotional materials for this festival, I was expecting some kind of tangential activities, like parades or dancing children. However, the little bit of Amekko that I saw was kind of a let down as a) it was just a bunch of people selling stuff and b) the weather was miserable (although, to be fair, the word for “candy” in Japanese is a homophone for “rain”, so I can hardly complain if I got both). But I didn’t mind too much because I was with a bunch of fantastic people, on our way to an even MORE disappointing festival. Which leads us to…

• The Not-So-Frozen Waterfall Non-Existent Festival, Part II: When Chlorofluorocarbons Attack, third Sunday in Feb. (in theory)
  Last year by some fluke, I had heard about a frozen waterfall just across the border in Aomori. I somehow convinced all my friends that it was a good idea to squeeze into a car and plunge into the snowy depths of the countryside looking for this mythic specimen.

  Not only did we find it, but we happened to arrive on the one day of the year when the shrine members strap on their drums, dust off their flutes, and honor the god of the waterfall. We were treated to a beautiful little procession which snaked its way up an icy path to a shrine cradled against the rock behind the waterfall. The waterfall, which had become a column of ice, was awesome to behold. Despite my burgeoning jaded expat exterior, I had to admit that the day had a kind of magical air about it. I made a mental note to bring more people back to experience it themselves the following year.

  I followed through and returned with new friends in tow but nature, alas, did not hold up her end of the bargain. Due to an abnormally warm winter, the waterfall this year was nowhere close to frozen. And to add insult to injury, there was no processional to speak of this year.

  Our disappointment was palpable, but we made the best of it by taking silly pictures that would immortalize our sadness and act as a warning for generations to come: global warming means no more fun winter festivals, kids.

• Tazawako Alpine Festival 3rd weekend in Feb. (21,22)
  Unlike the “Fire Swinging Festival” or the “Candy Market Festival”, you never quite know what you’re going to get with festivals named after places. As such, the Tazawako Festival has never been high on my list. It’s just too far away and doesn’t spark the imagination. However, with this being Our Last Winter in Japan, with little else to to, we made the long trek through the snowy mountains to Tazawako to see what all the fuss was about.To my delight, this proved to be one of Akita’s smorgasbord festivals, and featured scaled-down versions of events I’d been to in the past, including hot air balloons, snow sculptures, and holy-cow, Hiburi fire swinging.

  If I’d ever been presented with a bona fide second chance, this was it. Conditions were perfect: the air was icy. Snow was delicately floating down. So despite my continued misgivings about lighting my hair on fire (it would grow back, yes?), I stepped up to give fire swinging a go. After watching fire-swingers in Kakunodate and hearing their plaintive cries (「おも〜い！あっちぇ！」), I was a little concerned about trapping myself in a fiery inferno of my own making. But once I donned the fire-resistant happi and stepped out into the snow-covered clearing, all my worries dropped away. Nothing was too heavy or too hot. At the center of my own universe of fire, it was captivating. I was shocked at how quickly it was over, and giddy from the experience for hours. Swinging fire was without a doubt the highlight of this year’s winter festival season. Learn from my mistakes: given the chance, don’t hesitate to play with fire.

• Garou Waterfall Light-up in Fujisato, 3rd week of February
  I’m kind of at a loss for words for this one. Not a festival per se, the waterfall light-up in the tiny town of Fujisato would struggle to qualify as an event. As explained in the local newspaper, the Garou waterfall is bathed in an eerie blue light for a few days, and then, in a shocking turn of events, the light is changed to a festive green for the final two days of the light-up. There was also a rather nice snow dome nearby, which was made, if the adjacent obnoxiously green sign is to be believed, by monkeys. Such is small town life in the winter, I suppose. Lest you think me ridiculous for driving half an hour to view this modern miracle, I’d like to inform you that there was also a photographer with a tripod from Akita City in attendance, which means he drove at least 3 times as far as me to capture this moment on film.

After the festival madness comes a big fat girlie fiesta called Hina Matsuri, on March 3. This is essentially an excuse to set up untouchably expensive displays of dolls to honor your young daughters. People in other parts of Japan float dolls made of straw out to sea to get rid of bad spirits. In Tohoku, however, the tradition seems to involve grabbing the nearest female foreigner, slapping a kimono on her, and making her husband serve you green tea.

And then, of course, the ultimate sign that spring is right around the corner: High School Graduation. For my school, this falls without fail on March 3rd every year, regardless of the day of the week.

The morning of graduation we all huddled resolutely in our chairs, shivering in a cold and unforgiving gym that was still icy despite the industrial strength heaters scattered about. After long and lofty speeches by the Principal, the Mayor, the head of the Board of Education, the PTA President, an underclassman, and a graduating student, there wasn’t much left to say. The ceremony closed with my former students filing of the gym, looking either somber, bored, or bewildered at their new status as high school graduates. You can see for yourself below: for such a happy occasion, there seemed to be a lot of crying going on. Perhaps these are the students who weren’t hi-fived by the basketball coach? You’ll have to watch closely and draw your own conclusions:

This year, however, I was relocated to a bunch of new schools, and I now no longer teach any of my taiko kids. This has had some unexpectedly delightful side effects, as I’m now free to act more like a sister and less like an authority figure.

Last weekend we all attended a 2-day taiko workshop. At the evening’s enkai,  I finally felt the taiko kids fully embrace the title of おねえさん and all of the responsibilities that it entails. All you older siblings out there know the drill, but I’ll break down my role for the rest of you.

Being おねえさん means:

• issuing orders and having them carried out. In this case it meant getting an unusually bossy 10-year old to go and fetch a rag to clean up my drink, which she spilled while exhibiting excessive exuberance. The miracle is that she complied immediately and without complaint.
• allowing fingers to be dipped in beer foam. Foam swiping is all good fun (who doesn’t like a finger or two in their drink?), but the problem was that this then escalated to whining and pleading for beer. When I looked to their usually no-nonsense mother for help, we found her curled up in a corner next to a friend giving us a hopeful and encouraging “thumbs up” sign.
• making sure that one of the kids keeps my glass full of beer at all times during the enkai. I left this somber and sacred duty to the 14-year old to my left.
• wiping up spilled alcohol with the children’s socks that litter the floor. This is an excellent alternative which is readily at hand, in case those rags are just too far away.

and, of course, just generally inciting them to silliness.

Other pieces of information gleaned from the taiko workshop include:

• A time-tested method for finding an enkai’s after-party, which is this: Wander the halls of the hotel which houses all of you, listen for the loudest room, and burst in with a full bottle of JINRO to join the party. I know this because that’s how the TWO roving bands of drunken Japanese taiko players found my modest post-party. By the end of the night, my small two person room contained 9 drunken men (some of whom had to be extricated by force) and one set of bongo drums.
• How to drum for two days straight with a broken rib, as demonstrated by one participant from Kamikoani. Taiko people are hard core.
• The first hard evidence I’ve seen in Japan of the global meltdown: enrollment in the workshop was visibly down from last year.

And, lest you think that taiko workshops are all about drinking beer and mistreating children, here’s the new piece we learned in 8 hours:

Cutie Honey – Koda Kumi
Ah, my very first JPop song. Cutie Honey is a character who appears in lots of manga and anime, and this is her theme song! Her prominent characteristic is that she gets “busty” whenever she’s in crime-fighting mode, and the lyrics to “Cutie Honey” describe the salient features of her body. This version is by Koda Kumi, who is, as far as I can tell, the Britney Spears of Japan: void of socially redeeming features and total eye candy. The video for this song actually grooves pretty effortlessly, and has an English translation of the lyrics as well as romaji.

Word to the wise: let it download completely before you start watching.

Cutie Honey’s contribution to my knowledge of Japanese includes:

• Verbs for sappy love songs
  傷つける (to wound, hurt someone’s feelings)
  見つめる (to stare intently)
  追いかける (to chase after/pursue someone)
  近寄よる(to approach/draw near)

• Japanese onomatopoeia:
  チュクチュク(beating heart)
  ヒクヒク (twitching nose)
  シクシク (sound of sobbing)

アゲ♂アゲ♂EVERY☆騎士 – DJ OZMA
Ok, I have no idea what is up with the title to this song, thus I always have to get my Japanese friends to reluctantly punch this one into the karaoke machine. For the sake of clarity, I’m just going to refer to this gem as “Every Night”, because that’s the phrase that’s going to be burned indelibly into your consciousness by the end of the song.

I’m a little ashamed to put DJ Ozma up here… he seems a little trashy, and I always get a few eye rolls when I queue this one up. But you can’t deny it… the song is catchy and mesmerizing. There’s a fair bit of English in this song (it even kind of makes sense!) which is balanced out by some ridiculously fast Japanese phrases.

The video is worth it just to see Ozma’s hair at the end, which is kind of like a blonde afro. Did I also mention that he’s wearing a white leisure suit? The mood in this video strikes a weird balance between raw sexuality and the kum-ba-ya-ishness of summer camp. Some of the dance moves are also ludicrously outdated, as are the women crawling earnestly all over Ozma

In addition to being endlessly amusing, DJ Ozma taught me some basic PG-13 vocabulary that has for some reason escaped me up to this point, such as:

唇 (lips)
狂う (to go crazy, ie. dancing like crazy)
出鱈目 (bullshit, nonsense)
裸 (naked)

Kiss and Cry -宇多田ヒカル
Utada Hikaru’s a pretty big name and has been for about 10 years now. I’m told by my Japanese friends that her lyrics are beautifully crafted and “read like poetry”. No music video for this one yet as far as I can tell, so you’re going to have to settle for this odd pairing with anime.

More good sappy love song vocab here, including:
近づく (to approach, get closer)
誘う (to lure, seduce)
共犯 (complicity)
and my personal favorite, 弱虫, which translates directly as “weak insect” and means “coward”.

The song also features fun Japanese-English phrases like “high tension” (said of a person), “critical hit” (to the heart), “resutora” (corporate restructuring), and “donto-uori-beibe” (Don’t worry baby), which is mysteriously inflected with katakana, even though the singer is fluent in English.

Extra points to Utada Hikaru for effortlessly working “Nisshin Cup O’Noodle” into her song.

Choo Choo Train – Exile
My students are all bugging me to learn a song by Exile. They’re kind of boy-band-ish for my tastes, and thus I’ve been resisting. But two weeks ago I started teaching American pop music to my English club at school, so in the name of reciprocity, I’m kind of at their mercy.

This particular song seems to have more English in it than 日本語. The lyrics don’t seem to make much sense in either language, which makes the song kind of useless for studying Japanese. But it’s fun, if formulaic. Choo Choo train is easy enough to learn, and if it gets me some cred with my students, it’s the least I can do. Literally.

Let’s just call this one a pop-culture lesson and leave it at that. I wish I could show you the breezy fun video of boy candy running along railroad tracks, but alas, the copyright watchdogs in Japan are FIERCE!

Anytime – Crystal Kay
Crystal Kay has this intoxicating cultural background that is rare in Japan. The upshot of this is that she is fluent in Japanese and English and is an excellent R&B singer to boot.

am 11:00 – HY
Should I ever master this song, I want a lifetime achievement award. This song lies right on the boundary of the possible for me and the Japanese skills I currently own. It’s full of crazy articulate vocabulary, but more intimidating than that is that the second half of the song is rap. However, am 11:00 has endeared itself to me, and I find myself oddly drawn to the whole Japanese rap thing. The music video is sweet and earnest and fun and isn’t trying too hard to be cool or foreign or sexy, which is saying a lot in the world of J-Pop. Plus I love that I get to sing the non-sequitur “Let’s go to hunny’s house” right smack dab in the middle of the song.

If anyone out there knows of more singable JPop, please pass it my way!
After all, I have a big test to study for.

Oga’s NAMAHAGE

Any festival whose sole purpose is to make small children cry already has a plus next to it in my book. Namahage are the demons which inhabit the Oga peninsula, just to the south. They have red or blue faces and are dressed in bushy straw tunics. Twice a year, they descend from Mt. Shinzan, growling with torches in hand. They proceed to terrorize all the small children they can find, making them cry, and then ask if there are any naughty crying children nearby that they can eat up. Brilliant.

Everyone gathers around a big bonfire at the Shinzan Shrine, while the demons make a few circuits through the crowd (stopping for photo ops of course). Anyone who picks up the straw which falls from their clothes will be free of illness for the rest of the winter. Taiko also plays a prominent role in the festival, with folks dressed as demons wailing on the drums.

Namahage Taiko

The festival has an ominous-bogeyman-in-the-dark-with-fire feel that is a delicious change from the usual sugary sweet snow festival.

Nishiki’s HOT AIR BALLOONS

The hot air balloon launch, or kamifusenage, is a rather poetic and beautiful event. Cars choke narrow icy streets in a mad lineup for parking, and everyone heads out to a big snowy field. Here, huge elegantly decorated paper balloons (with ads on the other side) are filled with hot air via blowtorch. When the balloons are filled, a fire is lit at the mouth, and a warm glow fills the balloon, lighting the pictures from the inside. Balloons are released about 8 at a time, and soar off into the sky. Occasionally they’ll catch on fire or explode, but usually they simply soar away. The balloons aren’t weighted very heavily, so they swing back and forth like pendulums as they ascend. They stay lit for quite a long time, as they float up into a sea of stars. Special booths are set up where you can write your wishes for the year on balloons, which are then set free to deliver your wishes to the heavens.

Hot Air Balloons

Kariwano’s TUG-OF-WAR

The tug of war is held on the same night as the balloon launch. It’s possible to do these two events in succession if you play your cards right… unfortunately, we didn’t, and arrived in Kariwano to witness a mass exodus after the fight. Which is fine, because all I wanted to do was see the massive 20 ton rope anyway. While I was admiring the rope two dudes came by with a scythe and cut off a huge hunk for me to take home.

Rokugo’s BAMBOO FIGHT
Not the most photogenic festival, but it certainly is the most exciting. Ranked as one of the world’s Top 10 Most Dangerous Festivals, folks descend upon the tiny town of Rokugo to bash each other with 20 foot long bamboo poles. Requirements: Helmet? Check. Over 18? Check. Willingness to throw caution to the wind coupled with a fondness for alcohol? Check.

Hundreds of people flock to this testosterone fest to watch two teams beat the crap out of each other in 3 rounds. Helmets are ripped off. Bamboo poles bend and snap under the pressure. It’s an all out brawl. To make matters even more stupidly dangerous, the third round is fought around a bonfire, after everyone lights the flags on the end of their poles on fire.

Fire

My toes were frozen, and I didn’t care. The air was crackling first with anticipation, and then later with embers. A video taken in less than favorable lighting conditions is included below for your enjoyment:

Fight

After the fight, we were adopted by a local from Rokugo, otherwise known as my Drunken New Best Friend, who took us under her wing and straight to the only bar still open in town, where we downed a few beers and talked about how great we all were.

Towadako’s SNOW AND LIGHT FANTAVISTA

I had high hopes for this festival; it seemed to have everything: a grill your own food tent, snow sculptures, an ice bar, and fireworks. It was a fun way to spend an evening with friends, especially after a High Priority Mission in the area. But I think once was enough, and I wouldn’t make a big effort to see this one again. Maybe it was because we went on a Sunday night, but this festival seemed pretty dead… like a toned-down version of the Sapporo Snow Festival.

A month or two ago, our friend and fellow Noshiro ALT Frank discovered and introduced us to a taiko drumming group, Noshiro Belabo Taiko (???????). We (and I in particular) had been dithering about joining a similar group in the neighboring town of Futatsui, unaware that there was one right in our own back yard. The group is a great deal of fun, consisting in roughly equal quantities of adults and elementary/junior high kids.

After all of two rehearsals, we were informed we’d be performing at a small town festival the following weekend. Since then we’ve been in no less than three performances (albeit playing with the kids), which always tickles the announcers who love shoving microphones in our faces and asking us where we’re from.

We don’t have any taiko videos yet, so for the moment you can get an idea from this photo from our friend Andy:

Almost immediately after starting taiko, Steph fulfilled her year-long dream and got the opportunity to join a Yosakoi dance team. In the apparent tradition of Japanese performing groups, they threw her into a performance after but two rehearsals. Here they are performing (in the rain) at the pre-Futatsui Marathon festival (5-minute video; might take a minute to load):

Yosakoi at Futatsui Marathon Festival

Sugitchi Rally

After sitting around on sidewalks for half an hour, the actual “action” lasted for about two minutes.  The torch went by, photos were taken, and over a thousand students made their way back through the streets to their respective schools.

The Japanese school year is one of the longest in the world, at least six weeks longer than the American school year, but many of those extra days consist of festivals and field trips like this.

Singing Trash

Sendai Rapper

Kite festivities would not begin, we were informed at the information desk, until tomorrow. Stupid internet and its empty promises. We then sat down to regroup and figure out how to salvage a day in (let’s be generous) a mildly interesting city in the dead of winter. Step 1? Drown your sorrows by taking refuge in the closest Thai/Vietnamese/New York themed restaurant you can find.

When we heard of a little lunch spot called Saigon that purported to have Thai food, we knew something had to be up. Not picky about the geographic consistency of their menu, Saigon offers samosas, bagels, Greek salads, and Hawaiian beer with aplomb. This met my basic criteria for excitement in Tohoku: just feed me food I can’t get in Noshiro.

After lunch, we went in search of a big Buddha at the nearby Blue-Green Dragon Temple. I have to say, he bested the kites in that he a) existed and b) lived up to the hype. The temple complex had quite a bit to see. Shrines for the old and forgetful, shines for children. Even lots of bells to ring to alert the almighty to your prayers, which Frank will now graciously demonstrate below:

[youtube KL3LwAbCzKQ]

After we’d photographed every subject in the shrine from every possible angle, we went to check out Aomori’s archaeological claim to fame, the Sannai-maruyama site, where you can view artifacts from the Jomon period. I have to say, as the afternoon went from gray to grayer, I wasn’t very excited about going to see a muddy field with a few thatched huts and a huge glorified ladder. But my mind was set, I had to see it. It was one of those “if I see it now I don’t have to come back to see it later” kind of deals. But, the huts turned out to be surprisingly photogenic and even kind of interesting.

Still. I wouldn’t drive 3 hours just for the pleasure.

We concluded our trip to Aomori with a quick onsen visit. For those of you who are still a little fuzzy on onsen etiquette, here’s a charming graphic for you which illustrates the big no-nos. Please provide your own captions:

There is, however, a rule which isn’t shown above which was enforced by this particular onsen: bring your own soap. Little did we know. I mean, it’s not like this was the first onsen trip for any of us. We thought we knew we knew how to play by the rules, honest.

On the women’s side, the showers were packed to capacity, and I only hesitated for a moment when I sat down to wash up at a seemingly empty spot and noticed that the shampoo bottles at each shower were different. Not what you would expect for onsen-provided items. But never-mind! I ignore lots of stuff that seems strange to me here and chalk it up to the Japanese way. While everyone took my lack of manners in using their belongings gracefully (thanks for the shampoo, whoever you are!), the boys weren’t so lucky. When they sat down to wash up (so I’m told), they elicited a vicious growl from whomever’s territory they’d intruded upon. One of those “maybe-I-look-demure-but-never-forget-this-is-the-land-of-samurai-
and-ass-kicking-ninjas-so-back-the-hell-off” kind of interactions.

Yikes. So much for internationalization.